
Whose line is it anyway? |
The annual Bridge Players Pantomime has become a firm favourite around
Christmas time. The production is always well supported - so much
so that tickets usually sell out for all four performances - and The
Three Musketeers was no exception. Involving over 70 people in total,
from actors to back stage support, it really is a 'village' event.
Set mainly in France, this years 'panteau' told the story of their
King, Louis XXVLIIVVLIIIXXXVIII, and Anne his Queen who was enjoying
a dalliance with the English Prime Minister the Duke of Tottenham
- despite the attempts of the elegant Lady Constant Hoh-hi-hon to
keep her on the straight and narrow. (How could this lady be married
to the slimy Monsieur Hoh-hi-hon - a snail farmer?)
The King's power is always under threat from the evil Cardinal
Richeleeugh and his henchmen (and henchlady) but he can always rely?
on his trusty Three Musketeers to rally to his assistance (when
they were not wenching, drinking or eating). Add to those three;
Dame D'Artagnan and her ambitious son D'Artagnan, whose attempts
to assist usually had the opposite effect.
Full of fun, the panto worked on two levels, providing much obvious
humour for the children and more subtle jokes for the adults (e.g.
the Duke to Anne on fearing the must destroy her love letters "I
could never destroy your French letters - their contents will be
with me for ever" and you will see what I mean). Judging by
the audience reaction on the night I attended, they enjoyed the
humour and often added their own. As always there were a couple
of sharp kids in the front who did their best to liven up the proceedings
- on occasion reducing the cast to laughter with some of their comments.
D'Artagnan at last becomes a
fully fledged Musketeer!
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Unlike most past productions, The Three Musketeers did not have
one or two major roles but instead offered substantial parts for
most of the players. This must have added to their enjoyment and
gave the audience the opportunity to enjoy some delightfully complete
performances from many of the cast. Too many to mention individually,
it is worth picking out one or two for special comment.
The newcomers John Plunkett, Gareth Dean, Michele Rimmer, Richard
Pamment, Sophie Chapman and Louise Brownhill were all excellent
and will, I suspect be making appearances in future productions.
Paul Stothard gave a competent performance as the Dame - he does
look very comfortable in those dresses and Dave Bridger played his
usually solid baddy (he looks more solid each year). The Three Musketeers
(Jo Ezzy, Bryony Coates and Vanessa Vicars) complemented each other
well - despite Vanessa being drunk every performance.
Simon Wallace was really excellent as the King - his amusing inflections
causing much merriment (shades of Hugh Laurie as King George, I
thought).
Derek Morris played a suitably slimy snail keeper and his pet snail
was very good. Played by Jessica Quiney, the shell (made by Mum
and Dad) was excellent - complete with slime trail following her
about on stage.

Zoot and Zack |
Sue Blackburn was excellent as the dotty Queen Anne and much fun
was provided by Matthew Sleath as Plonquer (bit of typecasting there
Matt). More comedy from the ubiquitous comedy duo, in this panto
called 'Zoot a Lor' and 'Zach Rebleur' well played by Natasha Brown
and David Austin and solid performances Val Smith and Jonty Bridger
- all ably supported by several village youngsters as Farmhands,
Barmaids Dancers and Guards.
There, I said I would only pick out one or two
The cast take the plaudits but much credit must go to the back
stage crew, without whom, none of the cast could set foot on the
stage.
In my opinion, one of the more enjoyable panto's of recent years
and a credit to the hard work of the director, Morag Underwood.
Roll on the Summer production - and let's hope for a similar success.
Report by Ross Vicars
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